“The aim was to make music with punk’s energy but more finesse and beauty, and that shiny, dense Phil Spector sound. I was trying to make my guitar sound like I could play it, so I was influenced by guitarists who made beautiful noise, like The Pop Group, or Rowland S. Howard.”
Robin Guthrie
- Full name: Robin Andrew Guthrie
- Role: Guitar, bass, keyboards, programming, production, engineering
- Birth date: 4 January 1962
- Birthplace: Grangemouth, Scotland
- Residence: Rennes, Brittany, France
- Partner(s): Elizabeth Fraser (1981-1993); Florence Guthrie (2001-)
- Children: Lucy-Belle Guthrie (b. 1989); Violette Guthrie (b. 2001)
Robin Guthrie co-founded Cocteau Twins in 1980, along with his childhood mate Will Heggie, in their hometown of Grangemouth, Scotland. Throughout the band’s history, he was a principal songwriter, playing guitar, bass, keyboard, and handling most of the programming and effects. His unique, innovative, and influential approach to guitar and composition—layering sound upon sound and melody upon melody in an approach that was often deceptively minimalist—along with his deft production skills in the recording studio, earned him the respect of musicians and fans throughout the world, making him a much sought-after producer, engineer, and collaborator.
Prior to forming Cocteau Twins, Robin and Will were members of local Grangemouth four-piece band The Heat, who later released a single—“My Part of Town”—under the name The Liberators in 1980.
As a child, Robin’s family had musical instruments in the house, but he’d never had any proper musical training. “I came at the guitar from a very different perspective,” Robin explained to Penny Black Music in 2006. “Will, Liz, and I fell into being a band together. I have still got our very first demo, and you can hear the very early musings of the Cocteau Twins there… We never from the outset did any other people’s songs. You know when you are a teenager you’re trying to grasp some sort of identity, aren’t you? You want to make some sort of statement.”
Robin’s facility with electronics—he was trained as an electrician—had an enormous influence. “I was really into electronics and so was Will. We were both geeks like that. I was into fuzz boxes and pedals and things like that and I ended up putting them into my guitar. I also had this idea that I really couldn’t play for shit. All my mates would pick up the guitar and would all copy Jimi Hendrix, and I couldn’t do that. I also just wanted to sound like something else. Some of the earlier noisy things I was influenced by were bands like the Birthday Party and the Pop Group and groups like that, people who were using the guitar like a thoroughly different sort of instrument.”
This practice of altering or enhancing traditional sounds eventually included programming, sampling, and more sophisticated forms of audio processing and manipulation as technology evolved and the band could afford to invest in new tools and better studios. In fact, many listeners (and critics) assumed Cocteau Twins were purely a “synth band,” whose sound was entirely artificial, when in fact their primary instruments were always guitar, bass, voice, piano, and drum machine (the only truly synthetic band member). It was Robin’s tinkerer’s fascination and natural aptitude with technology—both analog and digital—that transformed those instruments in the studio and helped to create the Cocteaus’ signature sound.
The 1990s saw Robin become a sort of elder statesman figure among the rising “shoegaze” scene centred in London—a sound many consider the musical progeny of that pioneered by Cocteau Twins—and it was not uncommon to see Guthrie’s name attached to singles, EPs, and whole albums, as bands at the time, such as A.R. Kane, Chapterhouse, Lush, and others sought his mentorship and expertise in the studio.
In addition to his ongoing work as a producer and engineer, Robin’s prolific post-Cocteau Twins musical career has included seven records as Violet Indiana (with singer Siobhan de Maré), more than eleven solo releases, and three film scores, including multiple collaborations with the late Harold Budd. He has toured extensively, performing on his own, with a band, and with other artists, as he did with Brendan Perry of Dead Can Dance in 2011.
Although Robin co-founded Bella Union with Simon and Liz in 1996, he eventually divested his share of the business. He has since established his own label, Soleil Après Minuit, through which he has released a number of his own albums along with those of a handful of other artists.
A perfectionist who can sometimes be his own worst critic, Robin fought a well-documented battle with drugs and alcohol in the 1980s and 1990s, and considers himself in recovery. His long-term relationship with former bandmate Elizabeth Fraser, which ended in 1993, was another key organic ingredient in Cocteau Twins’ chemistry and music. They have a daughter, Lucy Belle, who was born in 1989. He now makes his home in France with his wife Florence and their daughter Violette.
Video
Press
- Robin Guthrie Announces New EP, “Atlas”
- COCTEAU TWINS NEWS | 7-Jul 2024
- The Veldt Releases A Long-Lost Collaboration With Cocteau Twins: “Everlasting Gobstopper”
- Post-Punk.com | 8-Jun 2023
- Robin Guthrie Releases Another ‘Orphan’ and Teases Upcoming Projects
- NEWS | 3-Mar 2023
- The Drum Machines of Cocteau Twins
- Reverb | 23-Jun 2022
- Interview with Robin Guthrie
- ”The Hustle” | 6-Apr 2022
- Robin Guthrie announces new EP, “Springtime,” will debut on his 60th birthday
- NEWS | 24-Dec 2021
- Interview with Robin Guthrie
- Guitar World | 22-Dec 2021
- Interview with Robin Guthrie
- ”Queen of Wands” | 12-Dec 2021
- Robin Guthrie releases new LP, promises more to come
- NEWS | 19-Nov 2021
- “Robin Guthrie: ‘I’m not resting on my laurels.’”
- The Yorkshire Post | 18-Nov 2021
- “A Guide to the Solo Discography of Cocteau Twins’ Robin Guthrie”
- Bandcamp Daily | 17-Nov 2021
- “Robin Guthrie Talks New Releases ‘Mockingbird Love’ and ‘Pearldiving,’ Remembering Harold Budd, and The Legacy of The Cocteau Twins”
- ”Smells Like Infinite Sadness” | 29-Oct 2021
- Robin Guthrie announces new LP, ‘Pearldiving’
- NEWS | 17-Oct 2021
- Robin Guthrie releases new free song, “Silverbell,” via Bandcamp
- NEWS | 1-Oct 2021
- Cocteau Twins’ Robin Guthrie preps “Mockingbird Love” EP (stream a track)
- NEWS | 20-Sep 2021
- Re-creating the Sound of Cocteau Twins: Guitars, Synth Keys, and Drum Machine Beats
- YouTube | 10-Apr 2021
- “Cocteau Twins, 4AD, The Mary Chain & Other Stories — An Interview with Colin Wallace”
- Arcane Delights | 15-Dec 2020
- Robin Guthrie & Harold Budd to release collaboration
- NEWS | 10-Nov 2020
- Cocteau Twins’ Robin Guthrie remixes Jack Colwell’s “In My Dreams”
- Brooklyn Vegan | 23-Sep 2020
- “Robin Guthrie Teams Up with Fawns of Love for New 7-inch”
- Exclaim.ca | 2-Jul 2020
- “The truth is not perfect: Robin Guthrie on the Cocteau Twins’ major label years”
- Sonic Cathedral | 31-May 2020
- “Writing Something Complete: An Interview With Robin Guthrie”
- Pop Matters | 7-Jan 2015
- “I’m suffering from old git syndrome”
- Uncut | 20-May 2015
- Interview with Robin Guthrie
- Post-Punk.com | 23-Sep 2014
- “SPIN’s 100 Greatest Guitarists of All Time”
- SPIN | 3-May 2012
- Interview with Robin Guthrie
- MOJO | Dec 2011
- Robin Guthrie And Brendan Perry: 4AD Revisited
- NPR “Favorite Sessions” | 26 Jul 2011
- Interview with Robin Guthrie
- Sup Magazine 2010
- “Building an Iconic Sound: Cocteau Twins’ Robin Guthrie”
- XLR8R | 22-Dec 2010
- “From Cocteau Twins to ‘Carousel,’ Guitarist Robin Guthrie Mesmerizes”
- Wired | 12-Oct 2009
- Interview with Robin Guthrie
- Elegy | Nov 2008
- Interview with Robin Guthrie
- Plan B 2008
- Interview with Robin Guthrie
- The Scotsman | Jul 2007
- Interview with Robin Guthrie
- Pennyblack Music 2006
- “Robin Guthrie and Cocteau Twins”
- MOJO | Aug 2006
- Interview with Robin Guthrie
- Amplifier Magazine 2006
- Interview with Robin Guthrie
- Play Louder | Jul 2006
- Interview with Robin Guthrie
- Re:Gen Magazine | Jul 2006
- Interview with Robin Guthrie
- The Press | Jun 2006
- “Robin Guthrie: From the Cocteau Twins to Violet Indiana”
- Tape Op 2005
- Interview with Robin Guthrie
- Under the Radar 2004
- Interview with Robin Guthrie
- Pennyblack Music | April 2003
- Interview with Robin Guthrie
- Kevchino | Jun 2003
- Interview with Robin Guthrie
- The Times | Mar 2003
- “Robin Guthrie/Violet Indiana: Interview”
- Pennyblack Music | 21-Jan 2002
- “Violet Indiana Marks New Beginning for Former Cocteau Twin”
- ModernRock.com | 23-May 2001
- “Cocteau Twins Go for the Fifty Percent Solution”
- 2001
- Interview with Robin Guthrie
- Hybridmagazine.com 2000
- “Former Cocteau Twin guitarist and ex-Mono Vocalist Siobhan de Maré emerge as Violet Indiana”
- Outburn 2000
- Interview with Robin Guthrie and Simon Raymonde
- MOJO 1999
- “The Cocteau Twins”
- Total Guitar | May 1996
- Interview with Robin Guthrie
- The i 1996
- “Heaven Handed”
- Guitar Player | Apr 1996
- Interview with Robin Guthrie
- Dewdrops Fanzine 1994
- “My Favourite Records”
- Melody Maker | Nov 1993
- Profile: Robin Guthrie
- Guitar Player | Feb 1991
- Coctale
- One-Two Testing | Nov 1984
- “Purple Haze”
- The Guitar Magazine
Solo performances, guest appearances, and other collaborations
Song title/Role | Artist/Collaborator | Release | Year |
---|---|---|---|
“Song to the Siren” | This Mortal Coil | It’ll End in Tears | 1983 |
Production and guitar | The Wolfgang Press | Scarecrow | 1984 |
“Song to the Siren,” “The Last Ray,” and “Not Me” | This Mortal Coil | It’ll End in Tears | 1984 |
“Water” | The Wolfgang Press | Water | 1985 |
Producer and Engineer | The Wolfgang Press | Sweatbox | 1985 |
Producer | Dif Juz | Extractions | 1985 |
Producer on “Primitive Painters” | Felt | Primitive Painters | 1985 |
Producer | Felt | Ingite the Seven Cannons | 1985 |
Producer and Engineer | The Wolfgang Press | The Legendary Wolfgang Press and Other Tall Stories | 1985 |
Mixing on “Flower Knife Shadows” (for Simon Raymonde) | Harold Budd | Lovely Thunder | 1986 |
Production on “Candles in a Church” and “Ferdinand Magellan” | Felt | Ballad of the Band | 1986 |
Producer | The Gun Club | Mother Juno | 1987 |
Producer | Edwyn Collins | Don’t Shilly Shally | 1987 |
Producer | A. R. Kane | Lollita | 1987 |
Engineering on “Yé Ké Yé Ké (The Afro Acid Remix)” | Mory Kanté | Yé Ké Yé Ké | 1987 |
Production on “Autumn,” “Fire Circles,” “Buried Wild Blind” | Felt | The Final Resting of the Ark | 1987 |
Engineering on “Balthus Bemused by Color,” “The Real Dream of Sails” | Harold Budd | The White Arcades | 1988 |
Producer | The Gun Club | Breaking Hands | 1988 |
“Rains On Me (Remix)” | Heavenly Bodies | Celestial | 1988 |
“Rains On Me (Extended Mix),” “Rains On Me (Short Version)” | Heavenly Bodies | Rains On Me | 1988 |
Remixing on “Miles Apart,” “Crack Up,” “Crack Up (Space Mix)” | A. R. Kane | Rem’i’xes | 1989 |
Programming on “In the Heat of the Night”; programming and bass on “La Historia de un Amor” | Kid Congo Powers | In the Heat of the Night | 1989 |
Producer and Engineer | Lush | Mad Love | 1990 |
Producer on “Something More” | Chapterhouse | Falling Down | 1990 |
Engineer | Big Hard Excellent Fish | Imperfect List | 1990 |
Producer on “Chirpy Chirpy Cheep Cheep” | Lush | Alvin Lives (in Leeds) | 1990 |
Producer on “Deluxe,” “Leaves Me Cold,” “Downer,” “Thoughtforms,” “Hey Hey Helen,” “Scarlet (New Version)” | Lush | Gala | 1990 |
Producer on “Autosleeper,” “Something More” | Chapterhouse | Whirlpool | 1991 |
“You Are the Way (September Mix)” | The Primitives | You Are the Way | 1991 |
Producer | Lush | Black Spring | 1991 |
Producer on “For Love” | Lush | For Love | 1991 |
Producer | Lush | Spooky | 1992 |
Producer on “Ribbons & Chains,” “Birdy” | Ian McCulloch | Lover Lover Lover | 1992 |
Producer on “Vibor Blue,” “Heaven’s Gate” | Ian McCulloch | Mysterio | 1992 |
“Rainbow (E-Bow Mix)” | Candyland | Rainbow | 1992 |
Production, guitar, and bass on “Help Me Lift You Up” | Macbeth | “Volume Five” (Various Artist) | 1992 |
Producer and Engineer on “Wildfire” | Fuel | “Volume Five” (Various Artists) | 1992 |
“Be Still (Cocteau Twins Mix)” | Various Artists | Peace Together | 1993 |
Guitar on “Outro (Shaved)” | The Veldt | Afrodisiac | 1994 |
Production and guitar on “Butterfly Knife,” “Wildfire” | Fuel | Timeless EP | 1994 |
“Time Baby 3” | Medicine | Sounds of Medicine | 1994 |
Production, mixing, guitars, atmospheres on “Half Light” by Æther | Various Artists | The Event Horizon | 1995 |
“Child (Robin Guthrie Mix)” | Definition of Sound | Child | 1996 |
“Hypo-Allergenic” | Spooky | Found Sound | 1996 |
“What’s Come Over Me (Robin Guthrie Mix)” | Frente! | What’s Come Over Me | 1996 |
Mixing on “Absence Makes the Hair Grow Blonder” | The Bitter Springs | Absence Makes the Hair Grow Blonder | 1997 |
Guitar on “Muscle and Want” | Simon Raymonde | Blame Someone Else | 1997 |
Production and mixing | Guy Chadwick | This Strength | 1997 |
Features “ziggurat rhythm” | Undark | Undark | 1998 |
Production and mixing | Guy Chadwick | Lazy, Soft & Slow | 1998 |
Producer | Yu-Ra | Innocent Time | 1998 |
“Chanson Sans Issue (Remixé)” | Autour de Lucie | Immobile | 1998 |
Production and guitar | Yu-Ra | Beyond the Pale | 1998 |
“Flowers Bloom (Robin Guthrie Mix)” | Mandalay | Flowers Bloom | 1998 |
Production and mixing | Guy Chadwick | You’ve Really Got a Hold on Me | 1998 |
“Superstar (Robin Guthrie Melody FM Mix)” | Superstar | Superstar | 1998 |
“She’s Mine But I’m Not Hers (Robin Guthrie Remix)” | Jay-Jay Johanson | She’s Mine But I’m Not Hers | 1998 |
“Cranes (Robin Guthrie Mix)” | Moonshake | Remixes | 1998 |
Producer | Yu-Ra | Snow Doll | 1998 |
Producer on “No Motion” | Dif Juz | Soundpool | 1999 |
Producer | Yu-Ra | My Cosmic Wave | 1999 |
Remixing | Sneakster // Robin Guthrie | Fifty-Fifty | 1999 |
DJ Mix | Solo | Drifting A.F.U. | 1999 |
Co-mixing and additional guitar | Russell Mills / Undark | Pearl + Umbra | 1999 |
Production and mixing | Yu-Ra | Remember | 1999 |
Additional guitar | The Autumns | In the Russet Gold of This Vain Hour | 1999 |
Remixing | Sneakster // Robin Guthrie | Pseudo Nouveau / Fifty-Fifty | 2000 |
“Far Away” | Jay-Jay Johanson | Poison | 2000 |
Additional guitar | Olive | Trickle | 2000 |
Additional instrumentation and mixing on “Sol Invisible” by Lucybelle | Various Artists | Outlandos D’Americas - Tributo a Police | 2000 |
Mixing and guitar | The Wave Room | Love Medicine | 2000 |
Additional guitar | Russell Mills / Undark | Undark One - Strange Familiar | 2000 |
All tracks | Violet Indiana | Choke | 2000 |
Producer on “Nothing Natural,” “Untogether,” “For Love,” “Monochrome,” and “De-Luxe” | Lush | Ciao! Best of Lush | 2001 |
Mastering | Rothko | In the Pulse of an Artery | 2001 |
All tracks | Violet Indiana | Roulette | 2001 |
Producer | Yu-Ra | Kumo | 2001 |
Co-mixer | Lift to Experience | The Texas-Jerusalem Crossroads | 2001 |
Production on “Sweatbox” and “Respect” | The Wolfgang Press | Everything is Beautiful (A Retrospective) | 2001 |
All tracks | Violet Indiana | Killer Eyes | 2001 |
All tracks | Violet Indiana | Special | 2001 |
All tracks | Violet Indiana | Casino | 2002 |
Mastering | Al Brooker | Quixotic | 2002 |
Producer | Aeriel | So Warm | 2003 |
All tracks | Solo | Imperial | 2003 |
Mixing and mastering | Ulan Bator | Nouvel Air | 2003 |
“Märchen” | Sakurai Atsushi | Ai No Wakusei | 2004 |
All tracks | Violet Indiana | Russian Doll | 2004 |
All tracks | Violet Indiana | Beyond the Furr | 2004 |
“Smile” (Remix) | Flat7 | Lost in Blue | 2005 |
Co-wrote and produced three tracks | Sophie Barker | Earthbound | 2005 |
Co-wrote musical score with video | Solo with Leesa Beales | Echoes of Forgotten Places: Urban Exploration, Industrial Archaeology and the Aesthetics of Decay | 2005 |
All tracks | Solo with Harold Budd | Music from the film “Mysterious Skin” | 2005 |
Mixing on “Hello Sun” | Amber Smith | Hello Sun / Blue Eyes Digital | 2005 |
All tracks | Solo | Flicker | 2006 |
“Lost in Monterey” | Solo (Various Artists) | Fractured Beauty | 2006 |
Producer | Amber Smith | RePRINT | 2006 |
All tracks | Solo | Continental | 2006 |
“Argenta” | Solo | Little Darla Has a Treat for You v.24: Endless Summer Edition | 2006 |
All tracks | Solo | Everlasting | 2006 |
All tracks | Solo | Waiting for Dawn | 2006 |
Bass and programming on “La Historia de un Amor” | Kid Congo Powers | Solo Cholo | 2006 |
Mixing on “Supervitesse (Robin Guthrie Mix),” “Renovo,” “My Bed is My Castle,” “Supervitesse (Extended Mix),” “My Bed is My Castle (Featuring Lucy Belle Guthrie),” and “Domino Ladder Beta (Featuring Robin Guthrie)” | Mahogany | Connectivity! | 2006 |
Mastering | Broad Daylight | The Bell Jar | 2007 |
“Seaside Dream” (Robin Guthrie Mix) | Colour Kane | A Taste Of | 2007 |
“My Cabal” Remix | School of Seven Bells | My Cabal | 2007 |
“Entropic Guinea-Pig Miix” | Mobiil | Mobiil Remixed | 2007 |
“The Tall Grass” (Robin Guthrie Mix) | Alsace Lorraine | Dark One | 2007 |
Remixes of “Gone Forever” and “On My Own” | Ulrich Schnauss | Quicksand Memory | 2007 |
Production, mixing and instrumentation | Annie Barker | Mountains and Tumult | 2007 |
All tracks | Solo with Harold Budd | Before the Day Breaks | 2007 |
All tracks | Solo with Harold Budd | After the Night Falls | 2007 |
Writing, mixing and production on “Marbella” | Manual | Lost Days, Open Skies and Streaming Tides | 2007 |
“Shallow by Shallow,” “Fit to be Tied,” “Everlasting Gobstopper,” “Black and Blue,” “Baby Talkk” | Apollo Heights | White Music for Black People | 2007 |
Guitar | Halou | Sawtooth | 2008 |
Production, engineering, and mixing; additional guitar and bass on “Raindrops” | Replandor | Pleamar | 2008 |
All tracks | Solo | Original Motion Picture Soundtrack 3:19 | 2008 |
“Angel Heart” (Robin Guthrie Version) | Apollo Heights | Everlasting Gobstopper | 2008 |
Additional guitar on “Professional,” “Evensong,” and “Seabright” | Halou | Halou | 2008 |
Remixes of “Gone Forever” and “On My Own” | Ulrich Schnauss | A Strangely Isolated Place | 2008 |
Additional guitar on “December” | Honeychild Coleman | Halo Inside (Come La Luna) | 2008 |
Mastering | Broaddaylight | Stars Out | 2009 |
“Flight of the Painted Lady” | Various Artists | Little Darla Has A Treat for You V.27: Eternal Spring Edition | 2009 |
All tracks | John Foxx & Robin Guthrie | Mirrorball | 2009 |
All tracks | Solo | Angel Falls | 2009 |
All tracks | Solo | Carousel | 2009 |
All tracks | Solo | Songs to Help My Children Sleep | 2009 |
All tracks | Solo | Sunflower Stories | 2010 |
Mastering | Dark Orange | Clouds, Paperships and Fallen Angels | 2010 |
Production and mixing | Heligoland | All Your Ships are White | 2010 |
Guitar on “The Sky is Black,” by Telefon Tel Aviv | Various Artists | Werkschau | 2011 |
“Love Never Dies a Natural Death” and “Broken Heart” | Various Artists | 3… 2… 1… A Rocket Girl Compilation | 2011 |
“Black Widow” (Robin Guthrie Version) | The Cinema Twin | Black Widow | 2011 |
All tracks | Robin Guthrie & Harold Budd | Bordeaux | 2011 |
All tracks | Solo | Emeralds | 2011 |
“Red Guitar” (Robin Guthrie Version”) | The Cinema Twin | Red Guitar | 2011 |
Production and guitar | Annie Barker | …for a better place | 2011 |
Mixing and mastering | Sealight | Dead Letters | 2011 |
All tracks | Eraldo Bernocchi, Harold Budd, Robin Guthrie | Winter Garden | 2011 |
Mixing and mastering | Heligoland | Bethmale | 2012 |
Guitar on “The Sky is Black” | Telefon Tel Aviv | The Birds | 2012 |
“Grass” (Robin Guthrie Remix) | Cubenx | Grass | 2012 |
All tracks | Mark Gardener & Robin Guthrie | The Places We Go | 2012 |
“Butterflies” remixed | Dark Orange | Horizont | 2012 |
All tracks | Solo | Fortune | 2012 |
Mixed “Path to Heart” and “Sun Moon Star”; Guitar/drums on “Path to Heart” and “Sarionasute”; Guitar/bass/drums on “Sun Moon Star” | Flat7 | Sweet Glow of Silence | 2012 |
Original film score | Solo | “Last of Our Kind” | 2012 |
Production, mixing, and mastering | Heligoland | Saint Anne | 2013 |
All tracks | Robin Guthrie & Harold Budd | White Bird in a Blizzard Original Motion Picture Soundtrack | 2014 |
All tracks | Robin Guthrie & Mark Gardener | Universal Road | 2015 |
“Scarecrow” | Jay-Jay Johanson | Opium | 2015 |
All tracks, production | Boreal Wood | Flares | 2015 |
Production, mixing, and mastering | Heligoland | Coriallo | 2017 |
Production | Hatchie | Sure | 2018 |
Production, mixing | Echo Ladies | “Overrated” | 2018 |
Production | Jay-Jay Johanson | Lost Forever | 2019 |
Production, guitar, programming | Fawns of Love | “Someday” | 2020 |
Production, mixing | Jack Colwell | “In My Dreams” | 2020 |
Production, mixing | Resplandor | “Adore” | 2020 |
All tracks | Solo with Harold Budd | Another Flower | 2020 |
Production, mixing | Heligoland | “Running” | 2021 |
Single (previously unreleased) | Solo | “Silverbell” | 2021 |
Single (previously unreleased) | Solo | “Ajo” | 2021 |
Single (previously unreleased) | Solo | “Providence” | 2021 |
Single (previously unreleased) | Solo | “Septime” | 2021 |
All tracks | Solo | Mockingbird Love EP | 2021 |
All tracks | Solo | Pearldiving | 2021 |
All tracks | Solo | Riviera EP | 2021 |
All tracks | Solo | Springtime EP | 2022 |
Single (previously unreleased) | Solo | “Just Blue” | 2022 |
Single (previously unreleased) | Solo | “Kingdom” | 2022 |
Producer/Collaborator | Qing Feng | “The Egg of Columbus” | 2022 |
Single (previously unreleased) | Solo | “Two Tiger Heartbeats” | 2023 |
Producer | The Veldt | “Everlasting Gobstopper” | 2023 |
Producer, Guitar | Fawns of Love | “Fear the Softest Gaze” | 2023 |
All tracks | Solo | Atlas EP | 2024 |